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As opposed to musicians, who use an instrument to create their sounds, singers must first and foremost forge their own instrument from within their own body. Singers do not dispose of bows, reeds or hammers: they must simply imagine the sound of their voice without being able to touch it, or without even the confidence it will be of similar quality the following day, as an instrument might. Even singers who are sure of their vocal quality can suddenly find their voices made vulnerable within a few seconds, for a thousand different reasons: yet we demand that they perform without fail at every concert or opera production. Singers must re-create their instrument again and again each time, and must sustain its quality despite all the feelings and thoughts that might colour the voice. |
| OPERAS | ||
| Composer | Opera | Role |
| W. Gluck | Orphée et Euridice | Orphée |
| H. Purcell | Dido and Aeneas | Dido |
| W. A. Mozart | Betulia Liberata | Giuditta, Carmi |
| V. Bellini | Norma | Adalgisa |
| G. Rossini | L’Italiana in Algeri | Isabella |
| G. Rossini | Cenerentola | Cenerentola |
| G. Rossini | Il Barbiere di Siviglia | Rosina |
| G. Donizetti | Lucrezia Borgia | Orsini |
| G. Verdi | Il Trovatore | Azucena |
| J. Massenet | Werther | Charlotte |
| H. Berlioz | La Damnation de Faust | Marguerite |
| G. Bizet | Carmen | Carmen |
| C. Saint-Saëns | Samson et Dalila | Dalila |
| P. Mascagni | Cavalleria Rusticana | Santuzza |
| F. Cilea | Adriana Lecouvreur | P.ssa de Bouillon |
| N. Rimski-Korsakov | The Tzar’s bride | Liubasha |
| P. I. Tchaikovsky | Eugene Onegin | Olga |
| R. Wagner | Die Walküre | Sieglinde |
| ORATORIOS | ||
| Composer | Role | |
| A. Vivaldi | Gloria, Magnificat, Juditha Triumphans, Stabat Mater | |
| Nisi Dominus, Beatus Vir, Salve Regina, Mottettos | ||
| J. S. Bach | Magnificat,Johannes Passion | |
| Matthäus Passion, Cantatas | ||
| G.F. Haendel | Messiah, Cantata Lucrezia | |
| J. Haynd | Paukenmesse | |
| G.B. Pergolesi | Stabat Mater, Salve Regina | |
| W. A. Mozart | Requiem, Krönung Messe, Vespri solenni d’un confessore | |
| G. Rossini | Petite Messe Solennelle, Stabat Mater | |
| G. Verdi | Requiem | |
| A. Dvorac | Stabat Mater | |
| S. Prokofiev | Alexander Newski | |
| VOICE AND ORCHESTRA | ||
| Composer | ||
| R. Wagner | Wesendonk Lieder | |
| G. Mahler | Ruckert Lieder, Lieder | |
| R. Strauss | Lieder | |
| A. Berg | Sieben Frühe Lieder | |
| E. Chausson | Poèmes de l’Amour et de la Mer | |
| H. Berlioz | Les Nuits d’été, La Captive | |
| O. Respighi | La Sensitiva, Il Tramonto | |
| G. Martucci | La Canzone dei ricordi | |
| M. De. Falla | El Amor Brujo | |
| VOICE, PIANO, VIOLA | ||
| Composer | ||
| J. Brahms | Lieder Op. 91 | |
| VOICE and PIANO | ||
| Composer | ||
| W.A. Mozart | Melodie | |
| G. Rossini | Melodie | |
| V. Bellini | Melodie | |
| G. Donizetti | Melodie | |
| G. Verdi | Arie da camera |
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| G. Puccini | Melodie | |
| P. Tosti | Melodie | |
| I. Pizzetti | Melodie | |
| F. Ghedini | Melodie | |
| G. Martucci | Melodie | |
| F. Malipiero | Melodie | |
| O. Respighi | Melodie | |
| W.A. Mozart | Lieder | |
| F. Schubert | Lieder | |
| R. Schumann | Lieder, "Frauen Lieben und Leben" | |
| J. Brahms | Lieder, "Zigeuner Lieder" | |
| H. Wolf | Lieder | |
| G. Mahler | Lieder | |
| R. Strauss | Lieder | |
| A. Berg | Lieder | |
| H. Berlioz | Melodie | |
| C. Gounod | Melodie | |
| C. Saint-Saëns | Melodie | |
| G. Fauré | Melodie | |
| H. Duparc | Melodie | |
| E. Chausson | Melodie | |
| C. Debussy | Melodie | |
| M. Ravel | Melodie | |
| R. Hahn | Melodie | |
| F. Poulenc | Melodie | |
| F. Chopin | Songs | |
| M.I. Glinka | Songs | |
| P.I. Tchaikovsky | Songs | |
| M. Mussorsky | Songs, "Without sun" | |
| S. Rachmaninov | Songs | |
| P. Vladigherov | Songs | |
| D. Christov | Songs | |
| Zlatev Cherkin | Songs | |
| M. Goleminov | Songs | |
| D. Nenov | Songs | |
| Kyurkchiyski | Songs | |
